Showing posts with label Genealogy. Show all posts
Showing posts with label Genealogy. Show all posts

Wednesday, November 20, 2019

A conversation with Chris Aubeck about UFO's, belief, and everything in between





Back in July, Danish organization UFO Denmark (formerly known as Exopolitics Denmark) hosted one of their regularly occurring UFO conferences in Copenhagen. As usual the program included a diverse and interesting selection of guests from the international field of ufology that you wouldn't otherwise be able to experience in Denmark. This time around the speakers included Tracy Garbutt, who talked primarily about remote viewing and personal experiences, while Richard Dolan did a very matter-of-fact presentation about possible future disclosure, in light of recent developments involving declassified navy UFO footage.

The main attraction for me, however, was the addition of top notch UFO historian Chris Aubeck to the bill - a choice which both surprised and delighted me when I first learned about it. I've known Chris for many years and met and corresponded with him on several occasions, as a member of the Magonia Exchange group. Chris founded Magonia Exchange back in 2003, with the purpose of being an online forum for sharing and studying UFO-related items (newspaper articles, images, books and much more) predating Kenneth Arnold's infamous sighting of June, 1947.

What Chris Aubeck and the many other top ufologists connected to Magonia Exchange have discovered through their collective efforts, is that UFO's have a history that precedes and goes beyond anything we could have imagined 20 years ago. Accounts of things like crashed spaceships and abductions by aliens, which everyone thought were largely a recent phenomenon, have shown instead to extend quite far back in time. And not only that; they have had a much larger impact on our culture and society than we think and collectively remember. This realization has only happened due to the recent advances in digitization and increase in online resources, and Chris Aubeck has been on the forefront of this evolution, setting new standards not only for historical UFO study, but for research in general.



Chris Aubeck presenting at the UFO Denmark summer conference, 2019

After the 2019 conference in Copenhagen I sat down with Chris and tried to dig a bit deeper into his personal beliefs and the main achievements that he feels has come from his many years of studying UFO's in history. As you will learn from the resulting interview, Chris Aubeck is a real powerhouse of knowledge relating to UFO genealogy, but his work and findings are still almost criminally overlooked. Therefore I hope that this interview will help make more people aware of what he and the rest of Magonia Exchange have uncovered, so we can all become at least a little bit wiser about what it all means.

UPDATE: UFO Denmark has now posted the full video of Chris' presentation 

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Thomas: Hello Chris, and thank you for agreeing to this interview. You made a great presentation yesterday at the conference, elegantly presenting your meticulous research and findings, the majority of which people, including most ufologists, are completely unaware of. I really think it was received well, although it was of course a lot to swallow at once, even for me.


Chris: Thanks Thomas, it’s good to be here. I hope you’re right about that, that people received it well. I know many were listening, because they were laughing at my jokes, even towards the end. Ha!


Thomas: (laughing) Yeah, I noticed that too. So, can you give an outline of who Chris Aubeck is and what motivates you to do what you do? Why are you strictly focused on older UFO cases, when most ufologists seem to be more interested in the here and now, or in the future?


Chris: Well, you know, when I was young, about 14 years old, I discovered a book on etymology. I found that I liked to learn the origins of all the words I knew. I’d look around my house at windows, carpets, tables, my cat and so on, and I wanted to know how those words came about. I didn't know what I would use the information for, but I wanted to find out how this vocabulary had been created. And I've applied the same philosophy to many things in my life since then. I've recently moved back to a town where I last lived 20 years ago and I’m fascinated by the differences, how the shops, the buildings and the people I used to know have changed. I like to find out where people are now, the evolution of things. I just instinctively try to trace the origins of whatever I see. That means when if I'm faced with a UFO story, I want to know where it’s from, who created it, for what reason, and so on. A lot of the seeds of modern cases are buried in historical ones, so I work to peel back the layers to get to core truths. Every year the digitization of the world's archives makes that work easier and easier.


Thomas: So, if someone called you a historical detective it wouldn't be completely off the mark?


Chris: I would be happy with that label, yeah.


Thomas: From our correspondence over the years I know that you have researched and accumulated so much groundbreaking data that it would blow most people’s minds. But I've often wondered how on earth you keep track of it all? Do you have Excel sheets where you categorize it, an advanced note system, or how do you do it?


Chris: Well, I'm the kind of person who's always writing a book. I've been writing a book since I was 13 years old, so I probably think very much in chapters. I suppose that is somewhat the equivalent of having a database or notation system, so although I don't work with Excel sheets, I do have a system to help keep track of these cases. I think of them mainly in chronological order.


Thomas: So you're saying that besides writing about them, you can actually manage most of these things inside your head?


Chris: Thats right. If someone says a year, I can usually tell them what happened in that year in pre-UFO history.


Thomas: Okay, that is pretty remarkable.


Chris: I don’t know, what I really have is just chapters that I write in, which occasionally become books. But I'm not really motivated to write books. I'm motivated to write a particular book, which will be the presentation of my thesis. which is to explain the origin of...well, Ufology, in a sense. I mean, I’ve come to see the evolution of the UFO phenomenon from its roots. I can see how it overlapped with stories of meteorites, for example. I can see how literature, culture and the advance of science turned many meteorites sightings into UFO stories, including the ones about passengers, or those with strange writing on them. What I want to do is to finish this one book before I'm hit by a bus or something. Then of course I have minor projects going on as well, so I'm not obsessed with this one thesis and I'm very happy to adapt or change or get rid of things, if need be. Which in fact I have done over the years. The reason I haven't published this one yet is because I've totally rewritten it along the way. And I'm open to that.  And because at the same time, I don't care how much of this turns out to be real or not. I’m happy to be proved wrong. That's OK, I'm just letting the evidence guide me.


Thomas: You are known for your tendency to really stick with a case until It is solved, exploring all avenues of research known – or unknown – to man. But is there ever a point where you give up, where you're like….okay, this is simply taking up too much time and resources, and while it may have seemed important at a certain point, it doesn’t anymore. A point where you are content and you don’t feel you need to really pursue it further?


Chris: Well, the reason that I have been working on the same main book for over 15 years, is that I'm really hesitant to publish a case without reaching a conclusion for it. But I do eventually reach one. Take for example the 1865 case of a trapper in the Rockies called James Lumley. You can even find this story on the internet these days. People think that it's like an old Roswell type incident. I had this case on file for a very long time, researched and wrote notes about it frequently, but I was never happy with it, because I didn't know how or why it happened. But now I know the origin of that story, I've traced its roots. I know the reason why it was published, and so on. Another example is a case I mentioned yesterday that happened in Arkansas in 1847, involving a bust which fell from the sky. I finally know all about that case after many years of research. Now I know the why and how and when. I also mentioned a case from 1862 about a meteorite reported to be covered in paintings and pictures and diagrams, believed to be from another planet. That’s another example of one I’ve research to pieces, as it were. I am actually reaching a point now where I don't need to look for any more cases to support my thesis, because if I did my book would end up being seven hundred pages long!


Newspaper article about the above mentioned Lumley case


Thomas: Ok, so besides your drive for researching cases, I also know that you are actively trying to spread more awareness about the fact that the UFO phenomenon didn't just start in 1947, and that Kenneth Arnold’s sighting was just a more recent point in a very long continuum of similar events. What can you do to create more attention about these, let's say, historical gaps?


Chris: I don't know, because I'd like to put out books, but at the same time I realize that we're living in an age where many people don't read books. So, I am toying with the idea of making videos for YouTube, turning my thesis into…a rap video, maybe? Perhaps that will get people's attention.


Thomas: (laughing) I would love to see that


Chris: I have absolutely no idea to be honest. It's very difficult to make big changes these days because there's so much noise. Whatever I say there will be someone a lot noisier than me telling everybody that the government has a UFO locked away in Area 51 or something. It's extremely difficult.


Thomas: Where do you see yourself fit in the world of ufology? I don't believe many are motivated in the same way as you are, on either side of the spectrum, but besides that, where do you sort of come down on the major issues?


Chris: I would say that I don't, for example, believe that the government has any UFOs in their capacity. And I don't believe the government has all the truth about everything. Which doesn't mean that there is or isn't anything going on related to UFOs. What I mean is, the government might know what's been going on up to a certain extent, but then someone, my mother for example says "oh, I saw a flashing banana-shaped light in the sky yesterday". They can’t automatically know what that was. Therefore, I think it's impossible to say that the government knows the “whole truth” about anything. They might try to give the impression they know things, as a kind of political strategy or to look more powerful. I wouldn't be the least bit surprised if they like the idea of conspiracy theories floating around and people getting together, like during this weekend, talking about what they think the government is hiding. Because whether “they” are hiding something or not, the fact is people believe it and this fact adds to their power. And the UFO myth is also a convenient cover for the development of secret weapons, as we’ve seen examples of.


Thomas: So, in your research, even if you are only looking into old cases prior to 1947, and especially before the 20th century, you don’t feel that there are any examples where governments could have covered up certain incidents?


Chris: Honestly, I don't. I don't see any real cover-up. What I see is a tangled web of information. We have to remember that a government isn't one person, it's a lot of people. And among them there are going to be individuals who are going to suspect that others working beside them, above them, or below them will have access to information that they don't. So, I wouldn't be surprised if people in the government can also become paranoid about what's really going on. But I don't personally think that behind all of that there's a filing cabinet with the truth in it. I think that it's just a horrible mess and that the same applies for any subject. I mean, there are of course real conspiracies. Like when the military is accused of covering up rape by male soldiers of female soldiers. The word cover-up exists outside ufology, obviously. But no, I don't believe that “they” are covering up anything significant related to UFOs.


Thomas: OK, but then to maybe take a step back further from the subject: So, you don’t see any indications of a historical cover-up of UFO's. But when does this element of conspiracy first start appearing? I mean, this is now an inescapable part of let's say the UFO mythology, but at what point do you see it entering reports and stories?


Chris: Well, I don't know, I suppose that the government sort of suddenly started it by accidentally saying they had captured a flying saucer in Roswell, in July of 1947. And that gave rise to suspicion, because, of course, when at first they say one thing and then suddenly change their mind, it does create doubt. So I wouldn't be surprised if that's really where it started. I mean, before that I haven’t detected any real conspiracy theories. Yesterday I mentioned a case from 1926 concerning a farmer who believed that he'd found an alien skull, who then spent the next couple of weeks with his neighbors looking for the rest of the alien body. He thought a spaceship had exploded near his house. He stated to journalists that he was very sorry, but he wasn't going to give this to the government, or any kind of scientists, because he felt he had a mission to find the rest of the alien first. If he had lived in a social context in which government conspiracies were a possibility, he would have mentioned it. But the fact is that he didn't. So, I don't believe that people distrusted the government in the sense that we see after 1947, at least not concerning these types of events.


Thomas: How do you reconcile that fact that UFO sightings, historical as well as newer ones, for a large part has been "one step ahead" of the current technology? For example, before there were airships, people reported mystery airships, then after the airship was invented, people began reporting even more advanced airships, and then mysterious airplanes...


Chris: Well, we humans are always imagining slightly beyond our means, in the same sense that science fiction is always about technology that hasn't arrived yet. And considering that in the 19th century people were also inventing stories, like they do today, it’s not surprising that they were describing airships or other types of alien technology or whatever that hadn't been invented yet. I mean, that's just the way it's always been…in stories people come up with things that haven't been invented yet.


Thomas: Do you see any kind of “supernatural” element or unknown factor in this evolution at all? Something that falls outside of what science can explain today? I am thinking of something akin to Jacques Vallée’s “conditioning hypothesis”, the idea that someone or something is using the UFO phenomenon to nudge us into new beliefs and perhaps technologies.


Chris: I don't think that people are being guided towards new technologies or beliefs via alterations to the visual imagery presented to them. I think that that's a wonderful excuse that people have, so they can put everything into the same sack. I mean, when I was writing Wonders in The Sky with Jacques, we argued a lot about this. He would say “look, here's a classic close encounter case” and I would say, “but this sounds more like a ghost to me” and then he would present another case, and it would sound to me like a vision of the Virgin Mary. Why try to argue that a virgin is a ufonaut or whatever? I just can’t understand that approach. And in the end we actually agreed to take out a lot of these more ambiguous close encounter stories.



Chris Aubeck with legendendary ufologist and co-founder of the book 'Wonders In The Sky", Jacques Vallée, in 2015.


Thomas: I want to get back to this hypothesis about some overall guiding principle, or however you want to call it. Jeffrey Kripal for example has this idea about a “Superstory” which we are all the time writing collectively as humans, mostly without even realizing it, and which at the same time influences us to continue writing it. Kind of similar to some of Jung’s ideas about archetypes and narratives. Do you subscribe to something like this at all?


Chris: I do think that humans tend to create stories according to a certain template, and if you study folklore, if you study mythology, or simply literature, you will find that people make stories with more or less the same plot all the way through – like The Hero’s Journey narrative. You have the hero, then you have the problem that the hero has to face. You might be able to insert a love interest, and then there's a point in which he almost loses his bride-to-be, or whatever. I mean it's just like a structure that people always rely on. You can compare a lot of Hollywood films that followed very similar structures. It’s all about tropes and motifs. I think that descriptions of UFO encounters also grow this way. If you take stories like the one I presented yesterday from 1863, where this meteorite crash-landed in Jamaica, the witnesses include a scientist who identifies it as a meteorite, then takes it back to his laboratory inspects it, only to discover that it's made of a strange substance, something totally artificial. It also has writing on it and from there he reaches the conclusion that this is alien technology. It’s a basic story you find throughout modern ufology, and in the end, what do you think happens as a result of these alleged breathtaking events? Absolutely nothing. The meteorite from 1863 was going to revolutionize science, but of course it didn't. It disappeared. Did Kecksburg revolutionize science? Of course not. Did Roswell revolutionize anything? Has anything ever revolutionized anything in the world of ufology? Only if you subscribe to the belief that some of our current technology came from aliens. I certainly don’t subscribe to that theory.


Thomas: Okay, but where, in your opinion, does personal belief fit into the UFO phenomenon? I mean what's the value of it to you?


Chris: Well, I've had a lot of hobbies in my life. I became interested in magic and magic tricks; I've been interested in painting. My levels of interest fluctuate. But one thing that continually motivates me about the world of UFOs is that there's still so much left to discover that it gives me a reason to reopen my files every day. Although I wouldn't say that it's belief-oriented, I’m definitely motivated by knowing that I can add something of value to this field, just as I am in my day job, teaching English.


Thomas: Okay, but actually what I meant with the question was, what is the evidence value of personal belief in ufology and in UFO experiences. Maybe I should ask, to what extent do you feel we can we use individual personal experiences, which in most cases is all we got?


Chris: Okay. Well, there are some cases that don't conform to the general pattern that I find. These are what we can call outliers, and when I find one, then of course it makes me wonder if the people involved really saw something unusual or not. So, my mind is open to the possibility that I will find anomalies in the data. Here in the modern world, I am surrounded by people who “see things.” I am constantly thinking about whether their experiences have a rational explanation. And I will look for one and offer my opinion, even if people don't want to hear it. 

People don’t always like to know the truth. I mean, I’ve been out for a drink with other ufologists when one will suddenly stand up and get very excited about something in the sky. They point to a plane, and say something like “Oh my God, they know we're talking about them!”. Seeing that kind of behavior, and realizing that they're going to write this up as an as another anecdote for their UFO files, worries me a bit. I think that in reality less than 1% of the phenomena that I read about or hear about might have a complex explanation. I think anomalies are much rarer than people think.


Thomas: But they do exist, that’s what you’re saying?


Chris: I'm willing to accept that. But I'm also willing to accept that there's nothing at all mysterious about them in the end.


Thomas: So when you're looking at cases, you are not looking at them to add to a collection of anomalies, you are looking to solve them.


Chris: Yes, I am looking for problems that I can actively solve.


Thomas: Alright. Well in that connection, what would you say is your toughest case. Did you ever encounter one where you found yourself thinking oh s**t, I will do my best to solve this one, but even then, it is just so mind-boggling that I still can’t reconcile the weirdness of it.


Chris: Well, apart from a UFO sighting of my own, which I’ve thought about a lot and never found and explanation for, yeah. There are some historical sightings that make me wonder. There’s one case in a book from 1857 which is so strange, because it doesn't fit into the timeline at all. This is the one where a ship sails over an American village. And I've been there, I've been to this location, which didn't help. I've also been to be the archives located in the nearest town, that didn't help either. What bothers me about this case is that it appears in a book about health. It's a book that does mention things like potions and little bit of magic, but nothing even remotely to do with unidentified flying objects. It's so out of place in this book that it makes you wonder why the author would have inserted it. He doesn't use it in any of his publicity for the book either. It gives you the impression that he came across something that he really wanted to share with his readers, but maybe just didn’t know what to do it, so he just threw it in there. 

I've spent now more than 10 years working on solving it one way or another, together with Kay Massingill (a very active, to say the least, American member of Magonia Exchange), tracing the origin of everything else in the book. So, for example, we now know that pages 25 to 61 were stolen from another publication. We also know that a whole chapter was taken or copied from someone else’s health book, and so on. But the part about the UFO, we haven't found anything similar anywhere at all. And this this bothers me a lot and it'll bother me forever until I’ve solved it. I don't believe that this man invented the story, because he could have invented something a lot better than that! Another thing that bothers me is that the author says that there are thousands of such cases on record. That's something you just don’t hear anywhere until more modern times, long after 1947. So why would he say that? Why would you say there are thousands of cases of record? It sounds so out of place. So that one bothers me.


Chris Aubeck and Kay Massingill in Ohio, 2014

And then there is the story from 1874 that Martin Shough and I included in Return To Magonia, about two farmers from Ohio crossing a field, when they see a black object descending from the sky. When it lands it doesn't crash. Instead the lights go out, the door opens and a man comes out dressed in black holding a lantern. He then jumps into a “buggy” without any horses and drives away. Now, I can trace possible origins for each part of this, I think, but it still bothers me, because it's so odd. Now, it’s important to mention that it was published just after April Fool's Day. But at the same time, the witnesses really existed, I tracked them down through genealogical records. The place existed as well; I’ve been there myself. And visiting the place, it makes you realize that the man who reported the story knew the area quite well.


Chris Aubeck examining a supposed landing site in Ohio, 2014


And then finally this story from 1831 which I mentioned in my presentation. I wasn't that interested in it when we published it in Return To Magonia, but now I've looked at it again and again, I realize just how strange it is. It describes a clock shaped object, sometimes with legs, that scorches the grass, but doesn't burn people. It goes up in the sky, comes down again and so on. That's pretty strange. And there is very little there to indicate a hoax - even the discrepancies between witness testimony is what you would expect if it had really happened. So that one bothers me too. I would put those three into the “unknown” category for now.


Chris Aubeck searching for information in a library in Ohio, 2014


Thomas: Very interesting, particularly the second one to me personally. As you may remember, I have been particularly interested in cases involving strange boxes, and the thing with the lantern sounds very much like you would hear about in more modern encounters with UFO entities. It’s a recurring element in so many of the more documented cases out there, but do you see it appear often in your research?


Chris: Well, there is one science fiction novel published in 1848 that made me think more about it, published a Christmas book. It's an amazing tale really, every part of it reads like a modern UFO case: An object is seen through a telescope coming from space, which gets larger and larger and eventually divides into at least two lights, red and blue. Then it lands in a garden, and when it lands, people rush outside from their Christmas dinners to see it. After the object lands, the light goes out, just as it did in the other case from Ohio. Then a figure emerges from this dark object. I believe it's carrying a light, I’d have to go back and read it. But it's a very similar story. And it was published 26 years earlier. And I know that it was based on a case about a meteorite that landed in Bavaria. So, it shows that this element already existed in the culture, or, let’s say, within people's imaginative grasp, even back then.


Thomas: Ok. So, with these cases, there is something that I thought about during your presentation yesterday. When you start going deeper into them, then you naturally have to question a lot of things. But on the surface, if you just mentioned the details and the narrative, it can sound to people like you are coming with a lot of evidence about historic alien visitation. How do you reconcile this?


Chris: Whenever you strip a story of the details, it becomes more convincing. Particularly if you put it in with a bunch of similar cases. It's like, oh, another case and another story, another crashed object. But the moment you start to drill down to the details, you realize they contain contradictions and that they were usually inspired by something else. Or maybe the witnesses didn't even exist. You should never base beliefs on fragmented information or case summaries.  So, I was very aware, when I made this presentation, that the people who invited me are part of the exopolitics movement. Some of them might look at the historical cases I’ve presented and think that it’s all nonsense, but some might also think, “wow, this really strengthens my belief”. That's why I did mention a couple of times that if you want to know more about each case, you know, you’ve got to wait for my book. You need to give people the opportunity to get deeper into the data.


Thomas: Ok, so you’ve talked a lot about some cases that are hard to crack, but what is your favorite case, or cases? Are they the one and the same?


Chris: No, my favorite cases are more like my favorite witnesses in a sense. I'm fascinated by the stories of the Mystic Jane Leade, who died in 1701. She was from London and had a massive following. She kept some Diaries called The Fountain of Gardens and she's constantly making references to her own personal UFO sightings. And these are diaries, so you have the date and the place and so on, and her descriptions are very interesting, just like modern UFO encounters. For example, in one entry she's looking at a star through her window, when she loses consciousness. Then she wakes up inside the star, where she says she meets strange beings and so on. And then occasionally she makes references to little children, pregnancies and such…It's just like a whole alien abduction story, except it's from a Mystic who died centuries ago. So if I had a favorite case, I'd say that would be it.



Chris Aubeck illustrating ectoplasm for an article about spiritism. The spiritist movement of the late 1800's and early 1900's played a large role in popularizing experiences that most people today associate with UFO's. 


Thomas: What is the future for the Magonia Exchange project that you started more than 15 years ago now? You haven’t actively posted anything there for years now. Have you given up on it?


Chris: Well, my whole aim when we started the project, was to be the main contributor for as long as necessary. But I was always hoping that it would gain momentum and just carry on without me with no problem. And that's exactly what has happened over the years. I mean, if you if you look at other online historical archives to do with medieval history or science, you find that it isn't normally the guy who founded it that contributes the most. The founder of an organization is the guy who thought it all out, maybe he gets the ball rolling, but then he hopes that it will have a life of its own after a while. And that's exactly what happened, and it worked out very well.


Thomas: So, who's effectively most in control of it right now?


Chris: Nobody's really in control of it, except for me. I still have the last word about what happens with the group, who can join who leaves and so on. Yeah, I mean, I'm just happy that it's still going strong. I always told people at the beginning, that if they suddenly stopped posting, if they stopped contributing, that was fine. I would just use it myself as my personal database. But that didn't happen, it just carried on and got a life of its own. And these days it's a vital tool, I think people really need this kind of thing. The way that I created it was not to have a central database. That was done for various reasons, firstly because I wanted to encourage people to keep their own archives instead of being dependent on an online platform, because web pages are never permanent. The only disadvantage is that new members don't have access to the earliest cases, but to be honest, I don't think that's a problem. Older members will be sure to mention if something has been posted before and anyway, if there's one thing that people have to realize, it is that part of historical research is comparing multiple sources. Even if someone posts the same story as someone else years before, it might have a different date, different wording. It might be from an earlier or a later newspaper. If one was posted in a California paper and the other one in a New York paper, it gives us some valuable info that the story was carried across many thousands of kilometers, for example. And that can be analyzed. Sometimes what seems like different cases turn out to be the same, but they went viral and became altered along the way. And you need different sources in order to detect where this happened, how stories spread.


Thomas: I have not been that active in the group for the last couple of years, but every time I drop in to take a look, I see the level of activity is unchanged, or maybe even has increased. It seems that there is no end to the discoveries that can be made collectively.


Chris: That’s right. And at the same time, more and more digital archives and resources are becoming available to us. So, I don't see any limits to this group and its possibilities. And even if at some point everybody stops writing, then maybe I'll become active for a while again. But we've already collected more than 40,000 items. That's enough for anybody in a lifetime. So now let’s start to analyze it and make more output from it. And this is actually happening also more and more, with books coming out by several different members of the group, largely based on the information gathered there.


Thomas: Indeed, I am looking at some point to do the same, but with more local Danish material. Well, that's pretty much what I had for now. Thanks again for taking the time Chris, sharing your great insights and results from the many years in the field. I wish you all the best with all your future projects, and I am looking very much forward to reading about them in book form.

Chris: Thank you Thomas, it has been a pleasure. Let’s keep in touch.



Together with Chris Aubeck in front of the Copenhagen Mormon Temple, just around the corner from where the conference took place. Mormonism is yet another, little known piece of the historical UFO puzzle.

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For more of Chris' research and methodology relating to historical UFO cases, I recommend reading Return to Magonia, created together with the equally amazing Martin Shough.






Monday, November 23, 2015

Identified Box-like Objects (Part 2)




In my previous post I demonstrated how boxes with mysterious and supernatural qualities show up in ancient myths from all over the world. Judging from the many examples I and others have found it is probably an element that has appeared in most storytelling traditions, at one point or another. Having said that, it seems as if there are certain geographical areas where these stories are more prevalent than others. And even though the stories share many of the same qualities, there are also locally specific details that seperate them from each other.

The pursuit of ancient mystery boxes continues here, with examples from both the Judeo-Christian and Islamic religious traditions.



What's in an Ark


Much of my fascination with mystery boxes comes from watching Raiders of the Lost Ark at a very young age. Particularly the scene where Indiana Jones' arch-nemesis Belloq opens the Ark of the Covenant and brings doom upon himself and his nazi collaborators, made a huge impression on me as a child. Looking deeper into the subject, I quickly realized that a complete overview of the many legends surrounding the Ark of the Covenant was impossible to fit into a single post. Still, I have attempted to untangle a few threads and uncover some select details, in order to better place the Ark within the broader "tradition" of mystery boxes. 

The word 'ark' is derived from the latin 'arca', meaning "box" or "chest" and is also the root of the word "arcane". An entry from Biderman's Dictionary of Symbolism (1994:66) provides some further information:



ARK. chest (Latin cista, Greek kiste) A box-like container, corresponding also to the Latin area (see ARK). The mystic chest of Dionysus (see Bacchus) - probably a basket rather than a wooden chest - was filled with symbolic objects and carried by special priests known as kistophoroi; when the mysteries of Dionysus were celebrated, a snake emerged from it. The image of Demeter (Latin, Ceresas worshipped in the Eleusinian mysteries shows the goddess seated on a chest. In the Roman period the cista became a general symbol for esoteric mystical religions. The anatomical meaning of the English word "chest" is an extension of this same etymology.

The above resonates somewhat with what is told about the Ark of The Covenant in the Old Testament, where its dimensions, materials and contents are listed in great detail. In the Book of Exodus, the Ark is described as a gold plated, oblong box made of Shittah (acacia) wood, adorned with two golden cherubs. God ordered Moses to construct the Ark at the bottom of mount Sinai, for the purpose of storing the stone tablets containing the ten commandments. But another item that was put inside it was the Staff of Aaron, which is said to have had the ability to turn into a serpent. This proves an interesting link to one of the main themes from my previous post. It is probably not a complete coincidence that the "reptilian" King Cecrops came from Egypt and quite possibly lived during the same time as Moses.

Erichthonius of Athens depicted in an "ark" ritual, that very likely was "imported" from Egypt. In some way this probably also served as the foundation of the later myth of Erichthonius and the three daughters of Cecrops (courtesy of Ove von Spaeth).

Following its creation, the Ark was carried back and forth between many different locations for a period of over 500 years, demonstrating many miraculous (and, quite frankly, horrifying) feats along the way, before finally being placed in the Temple of Solomon in Jerusalem. This is the last time it is mentioned in the Old Testament. It is only briefly referred to in the New Testament  - once in Revelation 11:19 and once in Hebrews 9:4, but neither of these sources provide any further details.

Theories abound regarding what happened to the Ark of the Covenant. The general, scholarly opinion seems to be that it was lost during the destruction of Solomon's Temple in 587. B.C., if not earlier. Many Jews, on the other hand, believe that the Ark is still in Jerusalem, stored somewhere underneath the city - perhaps under the Dome of The Rock. The plot in Raiders of the Lost Ark builds on the idea that the Ark was stolen from Solomon's Temple and taken to Egypt by a Pharaoh named Shishak, in the beginning of the first millennium, B.C. The Bible does indeed mention a Shishak and his brutal attack on Jerusalem, however, the Ark is not listed among the items he is said to have stolen. This seems like a curious neglect as it would have been considered the greatest of all the Hebrew treasures. Several hypotheses have also been put forward regarding the true identity of Shishak, but most mainstream egyptologists seem to believe that he was really Pharaoh Shoshenq I, who reigned from 943-922 B.C.


A still from Lara Croft, Tomb Raider: The Cradle of Life. The plot of the movie is the quest to find Pandora's Box, but the Greek myth is greatly expanded upon and even changed to the point where it seems to be more inspired by the story of Shishak and the Ark. Here, another (fictional) Pharaoh finds the box/ark and brings it to Africa. All in all an interesting example of different mythical-religious elements morphing together within a modern context.

One of the most widespread hypotheses about the Ark of The Covenant's whereabouts derives from the 700+ year old Ethiopian text known as the Kebra Nagast. An account within it states that the Ark was stolen from Solomon's Temple but brought instead to Ethiopia - not by Shishak/Shoshenq but by Menelik I, the lovechild of King Solomon and the Queen of Sheba (known as Makeda to Ethiopians and claimed in the Kebra Nagast to be of Ethiopian descent, although this is widely disputed). The popularity of this particular notion is largely due to Graham Hancock's The Sign and the Seal, in which he investigates and documents the many clues about the Ark's presence in Ethiopia. 

What Hancock discovered during his research was something largely unknown outside of Eastern Africa at the time, namely that the Ethiopian Orthodox Church believes it has the Ark of The Covenant (known to followers as the Tabota Zion). It is supposedly kept inside a small sanctuary in the town of Axum where it has been under the protection of a long line of carefully selected guardians for centuries. While it is easy enough to locate the sanctum (adjacent to the Church of our Lady Mary of Zion in Axum), the Ark itself may only be looked upon by select members of the priesthood and its current guardian. Even catching a glimpse of the guardian himself is considered a rarity as he spends almost all his appointed time within the sanctum walls.



The Chapel of The Tablet in Axum, Ethiopia, where the Ark of The Covenant is allegedly stored and guarded 24/7.

Although the claimed-to-be-true Ark is not viewable for the lay person, there is still a way to observe it by proxy, since every Ethiopian Orthodox Church is said to house an exact replica of it (This is also the case with many other churches, as well as several synagogues, masonic lodges and even Shinto shrines, by the way, although measures and materials differ). The Ethiopian replication practice was supposedly initiated many years ago to create confusion about the location of the True Ark. It has since become an important symbol for the Ethiopian Orthodox Church and every year there are large ceremonies where these replicas, known as Tabots, are carried around for all to see. What the ceremonies reveal, however, is that the Ethiopian ark-replicas are much smaller than what is described in the Old Testament. In fact they are closer to a square or cube in form and are usually made up of slabs of wood or stone. The reason for this, Hancock eventually concluded, was that "Tabot" really refers to the most important interior of the Ark, the stone tablets, despite the original meaning of the word.


A ritual with senior religious authorities of the Ethiopian Orthodox Church carrying a Tabot


A Shinto Omikoshi ritual, very similar to that of the Ethiopian Orthodox Church. Some Shintoists believe that the Ark of The Covenant was moved to Japan after it disappeared from Jerusalem. This is a good example of how widespread ark-lore really is and how different cultures lay claim to it's possession.



From Ark to Ark


Intrinsic to the story of the Ark of The Covenant is the story of Moses himself. Many people have an idea about who Moses was, but the full picture goes far beyond the image of Charleston Heston in The Ten Commandments. One of the leading scholars into the life of Moses is Danish researcher Ove von Spaeth, who has spent half a lifetime or more uncovering the occult roots of this enigmatic figure. Von Spaeth has found evidence which suggests that Moses was an initiate of the Egyptian mystery cults pointing, among other things, to the fact that The Ark of the Covenant is very similar to certain ritual chests used by these groups at the time. The chests were especially popular in the main city of ancient Egypt, Thebes. 'Thebes' is derived from the Hebrew tebah and the Greek taibe, both meaning 'ark’, or 'chest". And yes, the Ethiopian word tabot has its roots here too. 



A ritual chest being carried in a depiction of an ancient egyptian religious ceremony in Thebes, very similar in style to that of the Ark of the Covenant.

The story of baby Moses, who was found drifting along the Nile in a basket has all the traits of a royal initiation ceremony that was consistently practiced in ancient Egypt, as well as in other early civilizations. In these rituals it was common practice to place a young boy inside a floatable container and send it down a river, in order to formally establish them as successors to the throne. But the episode can also be viewed as another aspect of the mystery religions. One of Ove von Spaeth's most interesting findings in this connection, is that the episode with Moses on the Nile was part of an astro-magical ritual, as it happened at a time when both the sun and the moon passed the axis mundiIn the Rabbinic literature Moses is literally mentioned as found floating around inside a chest or a little ship, which correlates with the Carina (Keel of a ship) and Eridanus (river) constellations, that are located at the very root of the axis mundi. Graham Hancock also discusses the etymological link between the words ark and ship in The Sign and the Seal. Furthermore, Hancock mentions the tradition of interpreting the Ark as a symbol of the womb of Mary, adding yet another dimension to the overall picture. 

The symbolism of water, birth and change connects the story of the Ark of the Covenant with another ark that plays an important role in the Old Testament. In fact, the word Tebah is used twice here to describe a shiplike container: once in reference to Moses' vessel on the Nile and once in reference to Noah's Ark. Ove von Spaeth also points out a very interesting fact here: that Noah and his family drifted around for 40 weeks (or 9 months, the duration of a pregnancy cycle). Also, in the Babylonian tradition from which the story comes, it was common to use large chests to symbolize the relationship between the earth and the sky. 

With Noah's Ark we have another good example of how popular representations end up overshadowing the original, written word. But where Pandora's box went from originally being a jar to eventually becoming a box, almost the opposite is the case with the ark. In the Old Testament Noah's Ark is mainly described as having box-like dimensions, and in early illustrations, for example those found in the Roman catacombs, it is shown as an elongated, box-shaped object, often like a case or chest. During medieval times this image morphed slowly into that of a floating house which became firmly established as the main symbol of the church. Things changed again during the Renaissance, when artists began depicting the ark as a boat in the manner we know today. I have included a few examples that illustrate this development below, but a more detailed evolution of the art of Noah's Ark can be seen here.


This image found on the 6th century A.D.Tunisian Kélibia baptismal font is thought by some scholars to be an early depiction of Noah's Ark. As an interesting side note, the first thing Noah brought onto the ark was a golden box containing the Book of Raziel


Noah and his family in the ark, from a 14th century stained glass panel, originally part of the Marienkirche in Frankfurt, Germany. The image shows the common depiction of the Ark at the time as being more akin to a house. 




A Different Kind of Ark


A famous islamic example of a box with extraordinary qualities is of course the Ka'bah or Kaaba (literally: cube), the huge, grey, cube-shaped granite stone, covered in black robes which stands at the center of the Grand Mosque in Mecca. From observing the swarms of people clinging frantically to the Kaaba during Umrah and Hajj pilgrimages one might get the impression that the structure itself is an object of worship. This is of course not the case. It is, however, considered as the center of the world (the axis mundi again) and the holiest of places in Islam. The Kaaba is also said to symbolize the end of the final cycle of creation, being the essence of "the city" in its most geometrically pure form (although in reality it is irregular by more than one meter on two of its sides and therefore not really a perfect cube). In the Quran it is told that the original foundation for the Kaaba was laid by Adam, but that later construction on the site was done by Ibrahim (Abraham), together with his wife Hagar and son Ismail. In any case, we know that it has been damaged and reconstructed many times since then, so it is not really possible to know its original form.

During the time of Mohammed, up until his occupation of Mecca in 629 A.D., the Kaaba functioned as a shrine of worship to a multitude of deities (no less than 360 different religious idols is said to have stood in its immediate vicinity). Not only the worship of multiple gods, but also the decadent rituals that went along with it, was a huge thorn in the eye of Mohammed. It was in fact the main focal point of his proselytizing while he was still living in Mecca, and the opposition he met for doing so eventually forced him to flee the city. This is also why his later abolishment of polytheism in the area around the Kaaba has huge symbolic value in Islam. It is a story that is often brought up when muslims talk about their beliefs, and in effect it was the event that brought legitimacy to Islam.


The Kaaba, or "Sacred House". In Islam, the Kaaba stands at the center of the world and is considered the true place of worship of the One God and the ultimate enclosure of the divine presence of Allah - "a sanctuary consecrated to god since time immemorial" (Glassë:2007, 276) - to which all muslims direct their daily prayers. 

The main ritual connected with pilgrimages to Mecca is the Tawaf, which is a counter-clockwise procession that visitors make around the Kaaba, performed for 7 successive rounds. The rotation has been likened to that of a moving galaxy, but this idea does have some scientific problems and is also not officially accepted by Islamic scholars. Ove von Spaeth mentions what seems like an interesting parallel to the Tawaf ritual. When the Ark of the Covenant was used to bring down the walls of Jericho it was also carried around the city for 7 days (7 times on the 7th day).

The Tawaf ritual always begins in the south-eastern corner of the Kaaba where the famous al-Hajar al-Aswad or "Black Stone" is located. Muslims are encouraged to kiss the stone or otherwise engage in direct physical contact with it, but this is often impossible due to the large masses of people at the pilgrimages (considered to be among the largest gatherings in the world). 

The Black Stone itself was also worshipped by various groups of pre-islamic, Arab tribes and has a long and complicated history. The earliest mention of it within an islamic context is not in the Quran, but in a hadith, where Mohammed talks of it as having come down from paradise. Later, it was revealed to Ibrahim via the archangel Jibril (Gabriel). Over the years there have been many scientific theories about its origin. One of the more popular of these is that it indeed is a remnant of something non-earthly, namely a meteorite. Today, however, most geologists seem to believe that it has a more earthly origin. But there is really no way of knowing for sure without a direct sampling of the stone, which is not likely to happen anytime soon. 
There are many pre-islamic examples, particularly within the Semitic tradition, of worshipping stones said to have fallen from the sky, too. An extraterrestrial origin has even been attributed to the stone tablets with the ten commandments. So the role of the Black Stone in Islam can be seen as a modification of a much older tradition.

There certainly are a lot similarities between the Kaaba and the Ark of The Covenant when you add it all together. There are even theories floating around that the Ark is hidden inside the Kaaba and that this is why non-muslims arent allowed to enter. It is possible to find several videos on YouTube that are filmed inside the Kaaba, although none of them show anything that looks like an Ark.

Finally, the Kaaba has been attributed to certain feminine aspects, echoing another, earlier point in this post. Undeniably, there are certain distinct features about the way the Black Stone is presented on the Kaaba that wouldn't just make seasoned Freudians pause and take notes. I will simply end this post with a picture of the stone, along with a short passage about the earlier use of the Kaaba, and let people draw their own conclusions about to what I am hinting at.




Goddesses played an important role in pre-Islamic Arabian religion and mythology. Manat, Allat (al-Lat, "the Goddess"), and al-Uzza are all mentioned in the Qur'an (53:19-22). Manat was worshiped in Qudayd, near Mecca, and in northern Arabia. She was a goddess of rain, health, victory, and destiny and was particularly honored during the pre-Islamic pilgrimages to the Kabah. Allat was popular in Taif, also close to Mecca. There she was represented by a large flat stone and smaller precious stones kept in a wooden box. .(Leeming:2005, 122).

Main sources

  • Biderman, Hans: Dictionary of Symbolism - Cultural Icons and the Meaning Behind Them. Plume (1994)
  • Campo, Juan E. Encyclopedia of Islam. Facts on File (2009)
  • Cirlot, J.E.: A Dictionary of Symbols (Second Edition). Philosophical Library (1971)
  • Coleman. J.A.: The Dictionary of Mythology - An A-Z Of Themes, Legends And Heroes. Arcturus Publishing Ltd. (2007)
  • Glassé, Cyril: The Concise Encyclopedia of Islam (Third Edition). Stacy International (2008)
  • Green, Alana Abadessa (ed.): The Sync Book: Myths, Magic, Media, and Mindscapes: 26 Authors on Synchronicity. Sync Book Press (2011)
  • Green, Alana Abadessa (ed.): The Sync Book 2: Outer + Inner Space, Shadow + Light: 26 Essays on Synchronicity. Sync Book Press (2012) 
  • Hall, James & Clark, Kenneth: Dictionary of Subjects and Symbols in Art. Westview Press (2007) 
  • Hancock, Graham: The Sign and The Seal - A Quest for the Lost Ark of The Covenant. Arrow (1993)
  • Jensen, Robin M. Living Water - Images, Symbols and Settings of Early Christian Baptism. Brill Publsihing (2011)
  • Kebra Nagast - The Queen of Sheba and Her Only Son Menelyk (translated by Sir E.A. Wallis Budge). In Parentheses Publications (2000) 
  • Luingman, Carl G.: Dictionary of Symbols. W. W. Norton & Company (1995)
  • Mercante, Anthony S. & Dow, James R.: The Facts on File Encyclopedia of World Mythology and Legend. Facts on File (2008)
  • Morgan, Diane: Gemlore - Ancient Secrets and Modern Myths from the Stone Age to the Rock Age. Greenwood Press (2008) 
  • Schwartz, Howard: Tree of Souls - The Mythology of Judaism. Oxford University Press (2007)
  • Tresidder, Jack: The Illustrated Guide to More Than 1,000 Symbols - Their Traditional and Contemporary Significance. Friedman (2000)
  • Von Spaeth, Ove: Tempelridderne og Moses Skjulte Skat. Zenith IC (2012)
  • Von Spaeth, Ove: De Fortrængte Optegnelser - Attentatet På Moses. Zenith IC (1999)

...and special thanks to Ove von Spaeth.